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© Diane Epstein
If you are interested in obtaining any of Diane Epstein’s photography for print, website, advertising, or to commission her for a project, feel free to contact her at Diane@EpsteinPhotography.com This site is owned and operated by Diane Epstein. All the content is the exclusive intellectual property of Diane Epstein and is registered with the Library of Congress. These images are NOT ROYALTY FREE and are NOT WITHIN THE PUBLIC DOMAIN. You may only view the Content on this site and can contact Diane Epstein if you are interested in purchasing or commisisioning the photographer for your project or interior space. Use of the Content for any other purposes, including but not limited to use of the Content as the basis for another photographic concept or story concept, is in violation of Diane Epstein copyrights. Images can be licensed and purchased through Diane Epstein. In the event of an infringement of these user agreeement terms, you will be notified and invoiced the industry standard of ten times our standard fees and prosecuted for Unauthorized Usage and Copyright Violation.
New York Scenes
- cityscapes
- color
- New York
The immensity, the heights, the speed, the sacrifice of time and space to be a part of this energetic, creative metropolis boggles the mind, and yet I understand the attraction. I was born in Manhattan, its energy is in my blood, my parents grew up here, and both my sons, who were raised in Italy, now live in New York, so I try to spend as much time as possible in the city. You feel its enterprising exuberance and motion on the streets, you see it in the way things continually change, you witness the myriad cultures all mixed into one, each New Yorker, often coming from somewhere else, striving to reinvent him or herself. When taking pictures in New York there is a sense of being overtaken by the presence of its architecture, and so I often find myself looking at the vista of Manhattan from above, where I feel like I'm on top of the world. But when I want to be out there, part of the vital scene, and yet still with a semblance of harmony in this bustling city, I take a stroll across the Brooklyn Bridge above the East river, or along the paths and lake in Central Park, or more recently on the High Line, a public park built on a defunct elevated railway that runs 30 feet above the street in the meatpacking district. With wildflowers and wind blown grains in juxtaposition to the high-rises whose glass walls press up against the roadway overlooking art galleries, restaurants and boutiques, I have found my spot, always striving to express the confluent contrasts one can find here.

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